Consumerism in Fight Club
Besides
the whole double personality plot twist, I consider Fight Club as a movie that expresses an attitude of anti-consumerism.
The narrator represents the typical Americans who take buying goods as an
indispensable form of pleasure. In the very beginning of the film, the narrator
suffers from insomnia and there is a scene when he idly browses IKEA’s
furniture set. For him, it is the furniture that he buys for his decent condo
that proves his success and defines who he is. He is willing to follow boring routine
to do repetitive work in order to secure his economic status. On the contrary,
Tyler Durden is free and charismatic in the sense that he is not a slave for
material goods. He lives in an abandoned warehouse, yet he is never constrained
by material insufficiency. He sells soap made from human fat as a mockery to those
rich people. The fact that the narrator bombed his own apartment and chooses to
live in the shattered house with Tyler (although they are actually the same person)
can be seen as his solution to his previous excessive dependence on consumption.
He frees himself from the endless consumerism loop by becoming Tyler who owns
almost nothing but his free will.
The filmmakers tell us that consumerism is bad, but is being "free" any better? The narrator is still pretty miserable when he moves in with Tyler and when he blows up all the banks, it doesn't feel like a big win for anyone. If obsession with material goods/wealth makes people apathetic and lethargic, then opposition to materialism makes people terrorists in the movie. It's very hard to say what morals the movie has, if any.
ReplyDeleteI agree that there is definitely a sense of anti-consumerism in the movie but I think it is more in the sense of portraying the narrator as having an extremely basic life, which they show as something he needs to get rid of and free himself from. So while there is anti-consumer sentiment, I don't think the movie is a commentary on the consumerization of America but rather uses it as a way for the narrator to express himself better.
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